Arranging: Advanced Horn Writing
Learn more advanced arranging techniques for the rhythm section and horn section in this music arrangement course. In Arranging: Advanced Horn Writing, you’ll learn unison, two-, three-, four-, and five-part writing, and study techniques for voicing chords, orchestration, articulations, and background lines. You’ll also learn advanced topics of harmony, such as tension substitutions and lower interval limits, knowledge that you can use to create more expressive and captivating music for both live instrumentation or sequenced/sampled sounds.
By the end of this course, you will:
- Understand four-part soli and four-way close
- Define and understand mechanical voicings
- Use and understand approach chords
- Understand low interval limits, spread voicings (five-part and internal lines)
- Understand mixed voicings (two, three, and four parts)
- Define and understand emotional contour
Syllabus
Lesson 1 Chord Symbol Review/Introduction to 4-Part Soli and 4-Way Close
Lesson 2 Mechanical Voicings
Lesson 3 Mechanical Voicings (Continued)
Lesson 4 Low Interval Limits
Lesson 5 The Arranging Process and Midterm Project
Lesson 6 Soli Approach Chords
Lesson 7 Soli Approach Chords (Continued)
Lesson 8 Spread Voicings, Part 1
Lesson 9 Spread Voicings, Part 2
Lesson 10 Mixed Voicings—2, 3 & 4 Parts/Assignment of Final Project
Lesson 11 Conceptually Constructing an Arrangement
Lesson 12 Concluding Discussion Regarding Final Project
Requirements
Prerequisites
Completion of Arranging: Small Ensemble and Horns or equivalent knowledge and experience is required. Recommended experience in a DAW of choice.
- Understanding of chord symbols
- Understanding of standard rhythm section writing practices
- Understanding of 2 and 3 – part soli writing (2/3 voices with same rhythm)
- Familiarization with Diatonic and Chromatic Approach Chord harmonization
- Triadic soli harmonization below the melody note (2/3 voices with same rhythm)
- Rewriting melodies to fit a particular style – applying anticipations and delayed attacks
No Required Textbooks
Software Requirements
Hardware Requirements
General Course Requirements
Instructors
Author
Composer, producer, educator, orchestrator and arranger Jerry Gates has been a music industry professional for over thirty-five years. At Berklee College of Music, he teaches in the Contemporary Writing and Production Department and has taught most of the core classes in that major. He has authored Arranging For Horns through Berklee Press and Hal Leonard Publishing and has self published All Twelve: Dodecaphonic Sources For Contemporary Composition.
For Berklee’s online school, Jerry has authored Arranging: Rhythm Section and Horns, Arranging: Advanced Horns and Writing for Woodwinds and Strings for Berkleemusic.com. Additionally, Jerry teaches writing techniques such as contemporary composition, orchestration and arranging privately through his website, www.jerrygatesmusic.com. He is is one of four directors of the large ensemble recording orchestra at Berklee College of Music and at the rank of Professor teaches Contemporary Arranging techniques, Directed Studies in Arranging, Contemporary Twelve-Tone Composition, Orchestration, and Writing and Production in the Recording Studio.
Over a period of many years in the industry, Jerry has acquired skills that allow him to work in a number of different capacities. He finds that this variety of skills allows him to be valuable to a client. This also keeps his job challenging as he never knows what role he will work in next. Working globally, Jerry’s most recently completed projects include symphonic treatments and arranging original music for the Polish/German jazz quartet Poetic Jazz. He has produced, orchestrated and conducted string sessions for noted Egyptian producer/Arab Idol judge Hassan El Shafei. Jerry has also produced, composed and arranged music for Nestlé’s “Wonk Your Room” online promotion and Wonka.com’s “Loss For Lyrics” online Web promotion. Finally, Jerry composed the score for a documentary retrospective of Florida’s poet laureate, the late Edmund Skellings titled, “Ed Skellings – In His Own Words.”
His television and radio credits include Bank of America, Log Cabin maple syrup, Scope mouthwash, Marlboro cigarettes, and music preparation for “The Dennis Miller Show,” jazz great Bill Holman, and film composers Jack Smalley and Richard Band.
Instructor
Mark Costa is a professional electric bassist who has performed and toured with numerous Australian and international artists. This list includes The Temptations, Tom Jones, Leo Sayer, Go West, Chris Isaak, Debbie Reynolds, Thelma Houston, Maxine Nightingale, Marcia Hines, Margaret Urlich, Shannon Noll, Guy Sebastian, Wa Wa Nee, James Morrison and John Foreman among many others.
Mark is also a professional music arranger whose work can be heard on television and major live and theatrical productions such as “The Voice”, “Young Talent Time”, the NSW Schools Spectacular concerts, and “Priscilla – Queen of the Desert”. Between 2003 and 2009, Mark was the resident bassist and one of the music arrangers for the hit television series “Australian Idol”.
Mark’s academic studies were completed through the Sydney Conservatorium of Music where he received a Master of Music in Composition (Jazz) degree under the supervision of Bill Motzing in 2011 and an Associate Diploma in Jazz Studies in 1997. He is currently a PhD candidate majoring in Composition at the Sydney Conservatorium of Music under the supervision of Prof. Matthew Hindson and Ross Edwards. Mark has also completed several courses in arranging, jazz composition, jazz improvisation, counterpoint, orchestration and digital music production through Berkleemusic. Mark spent many years at the Australian Institute of Music (AIM) where he lectured classes in bass, music theory, arranging, songwriting and digital music technology. Between 2011 and 2014, Mark was the full-time lecturer and course coordinator for the Contemporary Department, and then Head of the Academic Studies department at AIM. Mark’s other educational achievements include weekly lectures in contemporary music arranging at the University of Western Sydney (UWS) between 2010-2011, and an arranging seminar at Macquarie University in 2007.
What’s Next?
When taken for credit, Arranging: Advanced Horn Writing can be applied towards these associated programs:
Associated Certificate Programs
- General Music Studies Professional Certificate
- General Music Studies Advanced Professional Certificate
- Arranging Professional Certificate
- Orchestration for Film and TV Advanced Professional Certificate
Associated Degree Majors
- Bachelor’s Degree in Music Production
- Bachelor’s Degree in Music Business
- Bachelor’s Degree in Electronic Music Production and Sound Design
- Bachelor’s Degree in Interdisciplinary Music Studies (Create Your Own Major)
- Bachelor’s Degree in Songwriting
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