Arranging: Small Ensemble and Horns
Whether you are writing for jingles, soundtracks, or pop songs, knowing how to write/arrange for smaller bands and larger ensembles is crucial to your success. Arranging: Small Ensemble and Horns explores the properties of the trumpet, trombone, and alto, tenor, and baritone saxophones and approaches the techniques and melodic embellishments that will give you a basic understanding of writing/arranging for these horns as a section. In this music arrangement course, you will focus on applying writing processes for two-, three-, four-, and five-part horn combinations; skills that can be applied to both live instrumentation and sampled or synthesized sounds. You really can’t write effective sequenced parts without knowing what real players would characteristically play on these instruments. This music arrangement course will provide you with a greater understanding of the possibilities and sounds that the horns as a section can add to your arrangement.
By the end of this course, you will:
- Learn to identify chord symbols
- Understand trumpet and trombone instrumentation
- Understand the instrumentation breakdown of saxophones
- Write within a given key and transpose to fit a specific instrument (unison writing)
- Understand and complete an arranging process
- Understand melodic development
- Write two-part and three-part soli sections
Syllabus
Lesson 1 Chord Symbol Identification
Lesson 2 Rhythm Section Notation Review
Lesson 3 Brass and Saxes
Lesson 4 Melodic Development
Lesson 5 Melodic Development Continued
Lesson 6 Unison Writing
Lesson 7 Arranging Process
Lesson 8 Two-Part Couplings (Soli Writing)
Lesson 9 Three-Part Soli Writing
Lesson 10 Three-Part Soli Writing Continued
Lesson 11 Background Lines
Lesson 12 Preparing Scores and Parts for Performance
Requirements
Prerequisites
Completion of Arranging 1: Rhythm Section or equivalent knowledge and experience is required. Recommended experience in a DAW of choice.
- Ability to write scores and record for the rhythm section
- Basic understanding of music and music theory including intervals, chords, major and minor scales, and key signatures
- Ability to read both treble and bass clef notation
No Required Textbooks
Software Requirements
- You can produce scores in Finale (full version) or Sibelius and submit them as PDF, JPG, GIF, or pasted into DOC files. Note that Finale Notepad, PrintMusic, and Finale Guitar are not sufficient for use in the course. You can handwrite scores, scan them, and submit them as PDF, JPG, GIF, or DOC files.
Mac Users
- OS X 10.9 Mavericks or higher (click here for system requirements)
- Latest version of Google Chrome
Windows Users
- Windows 7 or higher (click here for system requirements)
- Latest version of Google Chrome
Hardware Requirements
- If you are going to create scores by hand, you will need a scanner to put them in electronic format (see Software Requirements above for acceptable formats)
- 2 GB RAM (4 GB recommended)
- 500 MB hard drive space
- Speakers or headphone
- Webcam
- Internet connection with at least 4 Mbps download speed ( http://www.speedtest.net to verify or download the Speedtest by Ookla app from your mobile app store)
General Course Requirements
Below are the minimum requirements to access the course environment and participate in live chats. Please make sure to also check the Prerequisites and Course-Specific Requirements section above, and ensure your computer meets or exceeds the minimum system requirements for all software needed for your course.
Mac Users
- OS X 10.10 Yosemite or higher
PC Users
- Windows 7 or higher
All Users
- Latest version of Google Chrome
- Zoom meeting software (available in the course when joining your first chat)
- Webcam
- Speakers or headphones
- External or internal Microphone
- Broadband Internet connection
Instructors
Author & Instructor
Composer, producer, educator, orchestrator and arranger Jerry Gates has been a music industry professional for over thirty-five years. At Berklee College of Music, he teaches in the Contemporary Writing and Production Department and has taught most of the core classes in that major. He has authored Arranging For Horns through Berklee Press and Hal Leonard Publishing and has self published All Twelve: Dodecaphonic Sources For Contemporary Composition.
For Berklee’s online school, Jerry has authored Arranging: Rhythm Section and Horns, Arranging: Advanced Horns and Writing for Woodwinds and Strings for Berkleemusic.com. Additionally, Jerry teaches writing techniques such as contemporary composition, orchestration and arranging privately through his website, www.jerrygatesmusic.com. He is is one of four directors of the large ensemble recording orchestra at Berklee College of Music and at the rank of Professor teaches Contemporary Arranging techniques, Directed Studies in Arranging, Contemporary Twelve-Tone Composition, Orchestration, and Writing and Production in the Recording Studio.
Over a period of many years in the industry, Jerry has acquired skills that allow him to work in a number of different capacities. He finds that this variety of skills allows him to be valuable to a client. This also keeps his job challenging as he never knows what role he will work in next. Working globally, Jerry’s most recently completed projects include symphonic treatments and arranging original music for the Polish/German jazz quartet Poetic Jazz. He has produced, orchestrated and conducted string sessions for noted Egyptian producer/Arab Idol judge Hassan El Shafei. Jerry has also produced, composed and arranged music for Nestlé’s “Wonk Your Room” online promotion and Wonka.com’s “Loss For Lyrics” online Web promotion. Finally, Jerry composed the score for a documentary retrospective of Florida’s poet laureate, the late Edmund Skellings titled, “Ed Skellings – In His Own Words.”
His television and radio credits include Bank of America, Log Cabin maple syrup, Scope mouthwash, Marlboro cigarettes, and music preparation for “The Dennis Miller Show,” jazz great Bill Holman, and film composers Jack Smalley and Richard Band. Read Less
Instructor
Bassist, arranger, and composer Mark Poniatowski is an assistant professor in the Contemporary Writing and Production department at Berklee College of Music. His extensive performing experience includes the Bruce Katz Band, Kenny Hadley Big Band, Soul Kitchen, Floyd Dixon, Junior Watson, Janiva Magness, and Kid Ramos. His performances throughout the United States and Europe include the Boston Globe Jazz Festival, Orange County Blues Festival, The River Festival, The Natt Jazz Festival in Norway, and at the Konzerthaus in Vienna, Austria. His recordings include Mississippi Moan, Something Like That, It’s About the Blues, Radio Fusion Radio, and More Than Live. Poniatowski holds a Bachelor of Music Degree from Berklee College of Music and a Master of Music from New England Conservatory.
What’s Next?
When taken for credit, Arranging: Small Ensemble and Horns can be applied towards these associated programs:
Associated Certificate Programs
- General Music Studies Professional Certificate
- General Music Studies Advanced Professional Certificate
- Arranging Professional Certificate
- Orchestration for Film and TV Advanced Professional Certificate
Associated Degree Majors
- Bachelor’s Degree in Music Production
- Bachelor’s Degree in Music Business
- Bachelor’s Degree in Electronic Music Production and Sound Design
- Bachelor’s Degree in Interdisciplinary Music Studies (Create Your Own Major)
- Bachelor’s Degree in Songwriting
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