Author & Instructor

Roberta Radley is assistant chair in the Ear Training Department at Berklee College of Music. A Berklee graduate with a degree in composition, she joined the faculty in 1976. Since then, Radley has taught a wide range of ear training classes, using innovative methods to help students hear music more analytically, and earning recognition for outstanding achievement in music education from Berklee.

Author

Matt Marvuglio (1945-2017) was Dean of the Performance Division at Berklee College. As a virtuosic flutist and composer, he traveled throughout the United States, Europe, and Japan, premiering his compositions for jazz flute. He presented clinics for the National Flute Association, the Acoustic Society of America, and the International Flute Convention in Sao Paulo, Brazil. His composition “Simples of the Moon” for processed flute, EWI MIDI wind controller, and acoustic and electronic percussion, may be heard on the CD Divinations, by Dean Anderson. Matt’s first solo album entitled Why Cry? features three of his own compositions and a number of interpretations of old favorites. His articles on jazz flute playing have appeared in The Instrumentalist. He was the curriculum editor and composer for the Berklee Practice Method series, and wrote and hosted Berklee’s When Music Works DVD Series.

Instructor

Gilson Schachnik is a professor in the Ear Training department and adjunct faculty in the Ensemble department. Born in Sao Paulo, Brazil, Gilson toured the country with Rosa Maria and Patricia Marx in addition to recording jingles for BASF, Playboy, and TV Cultura. After receiving a scholarship in 1990, Gilson moved to Boston to attend Berklee and graduated in 1996 in Jazz Composition. Since then, Gilson has performed with Al Jarreau, Peter Erskine, Harvey Mason, Claudio Roditi, Bill Pierce, Miguel Zenón, and Antonio Sanchez, among others. Gilson joined the Berklee faculty in 2002 and wrote the book Beginning Ear Training (Berklee Press). In 2010, Gilson and Brazilian drummer Mauricio Zottarelli formed the group Mozik, releasing their first recording, Mozik. Since then, the group has performed extensively in the U.S. In addition to being an active performer in the Boston area, Gilson has been a member of Berklee’s audition team and has done auditions and given masterclasses in Canada, Brazil, and Palestine.

Instructor

Paul Stiller is a graduate of Berklee College of Music and the University of Wisconsin, Eau Claire. He has been on the Ear Training faculty at Berklee since 1995 and has taught Ear Training 1-4, Rhythmic Ear Training, Performance Ear Training for Voice 1 & 2, Voice lessons, and a choral ensemble.

Instructor

Rich Greenblatt is a vibraphonist with “dazzling speed and a truly magical touch” writes John Blenn in ‘Good Times Magazine’. He has recorded three CDs as a leader, ‘Hat Trick’(2009), ‘Hot and Dry’ (2003) and ‘Mooin’ (1998). Rich has performed and recorded with such great artists as Kurt Elling, Billy Mitchell, Dennis Irwin, Oscar Castro-Neves, Garrison Fewell, Kevin Hayes, Greg Hopkins, Winard Harper, Joe Hunt, Yoron Israel, The Barcelona Symphony Orchestra, and The English Chamber Orchestra.

Instructor

Bill Brinkley is the developer and former director of the Center for Computer Aided Instruction in Music, Berklee’s first research facility investigating the use of computer technology in a music curriculum. A Berklee graduate with a degree in composition, Bill joined the faculty in 1976. During his 15 years at the college, Bill was also a highly respected professor, teaching ear training, solfege, arranging, harmony, jazz counterpoint, ensembles, and private guitar lessons, and authoring two jazz counterpoint courses and a music copying course. Bill started out as a rock and R and B guitarist in his native Georgia, eventually joining Motown to work with David Ruffin after the singer left the Temptations. He became one of Boston’s most proficient jazz guitarists, playing in numerous bands with top area musicians like Jerry Bergonzi, Grover Mooney, and Garrison Fewell. An in-demand music copyist and transcriber, Bill has worked for Harry Connick Jr., the Boston Pops, George Benson, Lyle Mays, and classical composer Thomas Oboe Lee. He continues to work as a musician, as well as a graphic designer and music technology consultant.